The Institute of Contemporary Art/Boston 2017
Boston, United States
Designed by Diller Scofidio+Renfro 2006
Photo & travelogue by Sam Lee / Principle from DAX Artech
Quoted from https://www.facebook.com/tasam99?hc_ref=ARQWh3Sxy04YPmp9Q8RIZ1P9RHrSgWlkeIYfXbZPVxFxuY0j0TMWWCqWK5A0H1aTx5s&pnref=story
(https://www.icaboston.org/about/mission)
The Institute of Contemporary Art strives to share the pleasures of reflection, inspiration, provocation, and imagination that contemporary art offers through public access to art, artists, and the creative process.
The primary activities of the ICA are threefold:
To present outstanding contemporary art in all media, including visual art exhibitions, music, film, video, and performance, that is deserving of public attention and has not been presented in depth to Boston audiences
To provide innovative experiential learning opportunities for people of all ages through direct encounters with artists and art-making
To design interpretative programs that provide context for, develop appreciation of, and add meaning to contemporary art and culture
波士頓當代美術館 2017
2006年新館落成
美國波士頓
攝影&旅記 李逸仁建築師 大序建築師事務所主持建築師
(轉述自王增榮老師)……有趣的臨水藝術中心設計，巧妙的以觀眾席（戶外的、室內的）作為整體空間組織的發動器，創造出有個性的入空間，與欲窮千里目般兼具作為戶外觀景階梯平台的遮陽，以及在四樓展覽室安排與上述戶外休息隔空呼應的室內休息區！
不過，這設計在原創上性，似乎離不開Koolhaas這位老爺的手掌心，不論是空間的概念與型式的語言，可以說完全是對他在Utrecht大學之Educatorium致敬：沒有抄襲，但完全受到啟發，成效算不差，是有趣的作品！
看來Diller Scofidio+Renfro這一組是很聰明的建築師，頗擅長再利用一線建築師的艱難的原創，把他們的概念、形式轉換為更輕鬆甜美的狀態，The Broad與伊東的台中歌劇院應該也是關係。當然只看了兩個作品，這樣的暫定的看法，或者會有點武斷。…….
Boston, United States
Designed by Diller Scofidio+Renfro 2006
Photo & travelogue by Sam Lee / Principle from DAX Artech
Quoted from https://www.facebook.com/tasam99?hc_ref=ARQWh3Sxy04YPmp9Q8RIZ1P9RHrSgWlkeIYfXbZPVxFxuY0j0TMWWCqWK5A0H1aTx5s&pnref=story
(https://www.icaboston.org/about/mission)
The Institute of Contemporary Art strives to share the pleasures of reflection, inspiration, provocation, and imagination that contemporary art offers through public access to art, artists, and the creative process.
The primary activities of the ICA are threefold:
To present outstanding contemporary art in all media, including visual art exhibitions, music, film, video, and performance, that is deserving of public attention and has not been presented in depth to Boston audiences
To provide innovative experiential learning opportunities for people of all ages through direct encounters with artists and art-making
To design interpretative programs that provide context for, develop appreciation of, and add meaning to contemporary art and culture
波士頓當代美術館 2017
2006年新館落成
美國波士頓
攝影&旅記 李逸仁建築師 大序建築師事務所主持建築師
(轉述自王增榮老師)……有趣的臨水藝術中心設計，巧妙的以觀眾席（戶外的、室內的）作為整體空間組織的發動器，創造出有個性的入空間，與欲窮千里目般兼具作為戶外觀景階梯平台的遮陽，以及在四樓展覽室安排與上述戶外休息隔空呼應的室內休息區！
不過，這設計在原創上性，似乎離不開Koolhaas這位老爺的手掌心，不論是空間的概念與型式的語言，可以說完全是對他在Utrecht大學之Educatorium致敬：沒有抄襲，但完全受到啟發，成效算不差，是有趣的作品！
看來Diller Scofidio+Renfro這一組是很聰明的建築師，頗擅長再利用一線建築師的艱難的原創，把他們的概念、形式轉換為更輕鬆甜美的狀態，The Broad與伊東的台中歌劇院應該也是關係。當然只看了兩個作品，這樣的暫定的看法，或者會有點武斷。…….
